2013-08-10, ã©ã†ã„ã†ä¸‡èƒ½ãƒ‡ã‚£ãƒ•ã‚§ãƒ³ã‚¹ãªã®ã‹èˆˆå‘³ãŒã‚ã£ãŸã®ã§ï¼•æœˆã«è³¼å…¥ã—ã¾ã—㟠>ã‚らゆるåˆæ‰‹ã«å¯¾ã—ã¦1...e6 ã¨è¿”ã™ã®ãŒæœ¬æ›¸ã®ç‰¹å¾´ã§ã™ 白㮠1.e4 㨠1.d4 ã«å¯¾ã—ã¦ã ã‘ 1...e6 を解説ã—ã¦ã„ã¾ã™ ãã®ä»–ã®ç™½ã®åˆæ‰‹ ã¨ã¯ã„ã£ã¦ã‚‚ 1.c4 㨠1.Nf3 ã ã‘㧠例ãˆã° 1.f4 ã«ã¤ã„ã¦ã¯ä½•ã®è¨€åŠã‚‚ãªã— ã«ã¤ã„ã¦ã¯ç¬¬ï¼‘ï¼•ç« Should Black Play 1...e6 vs Flank Openings ? ã§ï¼”ページã«æ¸¡ã£ã¦è«–ã˜ã¦ã„ã¾ã™ æ¦‚è¦ ç´„ï¼‘ãƒšãƒ¼ã‚¸ ã¯æ¬¡ã®ã‚ˆã†ã«æ›¸ã‹ã‚Œã¦ã„ã¾ã™ Clearly the move 1...e6 is playable after any onipeng move by White, and as a matter of principle one would like to make our 1...e6 repertoire complete by recommending it against moves such as 1.c4 and 1.Nf3 too. ... However, the mere fact that the move can be played does not necessarily mean that this would be a coherent repertoire. ... Above all, his choice against 1.c4 and 1.Nf3 shouldn't mean that he is forced to transpose to huge tracts of 1.d4 or 1.e4 theory that he has hitherto been able to avoid. Unfortunately, after 1.c4 e6 2.Nf3 (2.Nc3 and 2.g3 must also be considered) or 1.Nf3 e6 2.g3 it is very difficult to propose for Black any worthwhile original ideas that give this move-order some real purpose within the context of out repertoire. ... The basic problem lies in the fact that after 1.c4 or 1.Nf3 White can seek to transpose to 1.d4 openigns that may not be within our onipeng preparation. ã¤ã¾ã‚Š 1.c4 㨠1.Nf3 ã« 1...e6 ã¨å¿œã˜ã¦ã‚‚ã“ã‚Œã¾ã§è§£èª¬ã—ã¦ããŸã‚³ãƒ³ãƒ‘クトãªãƒ¬ãƒ‘ートリーã«å¿…ãšã—ã‚‚é©åˆ é‚„å…ƒã›ãš 膨大ãªå‹‰å¼·ã‚’å¼·ã„られるå¯èƒ½æ€§ãŒã‚ã‚‹ã¨ã„ã†ã“ã¨ã§ã™ 具体的ã«ã¯ 1.c4 ã«å¯¾ã—ã¦ã¯ 1...c5 約1 5ページ 1.Nf3 ã«å¯¾ã—ã¦ã¯ 1...d5 約1 5ページ を解説ã—ã¦ã„ã¾ã™ 表紙ã®ä¸€ç•ªä¸‹ã« The French Connection: winning ways with 1.e4 e6 and 1.d4 e6 ã¨ã‚るよã†ã« 1.e4 㨠1.d4 ã«å…±é€šã« 1...e6 ã¨æŒ‡ã™ãƒ‡ã‚£ãƒ•ã‚§ãƒ³ã‚¹ã‚’解説ã—ãŸæœ¬ã ã¨ã¿ãªã™ã®ãŒã‚ˆã„よã†ã§ã™
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